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...strips (such as Peanuts or Dilbert). In the last quarter of the twentieth century, greater acceptance of the comics form among the general reading populace coincided with a greater usage of the term graphic novel, often meant to differentiate a book of comics with a spine from its saddle-stitched form, but the difference between the terms is ambiguous, as comics have become increasingly available in libraries and mainstream book stores.

Some of the earliest comic books were simply collections of comic strips that had originally been printed in newspapers, and the commercial success of these collections led to work being created specifically for the comic book form, which fostered specific conventions such as splash pages. Long-form comic books, generally with hardcover or trade-paper binding came to be known as graphic novels, but as noted above, the term's definition is vague. Like jazz music (and a handful of other cultural artifacts), comic books are a rare example of an indigenous American art form, though prototypical examples of the form exist.

American comic books have become closely associated with the superhero tradition. In the United Kingdom, the term comic book is used to refer to American comic books by their readers and collectors, while the general populace would likely consider a comic book a hardcover book collecting comics stories. The analogous term in the UK is a comic, short for comic paper or comic magazine.

Since the creation of the comic book format in the 1930s, the United States has been the leading producer, with only the British comic and Japanese manga as close competitors in terms of quantity of titles (although, Japan far outweighs America in overall sales). The majority of all comic books in the US are marketed to young adult readers, though they also produce titles for young children as well as adult audiences.

The history of the comic book in the US is divided into several ages or historical eras: The Platinum Age, The Golden Age, The Silver Age, The Bronze Age, and The Modern Age. The exact boundaries of these eras, the terms for which originated in fandom press, is a debatable point among comic book historians.

The Golden Age is generally thought as lasting from the introduction of the character Superman in 1938 until the early 1950s. During this time, comic books enjoyed considerable popularity; the archetype of the superhero was invented and defined, and many of the most popular superheroes were created. The Platinum Age refers to any material produced prior to this. While comics as an art form could theoretically extend as far back in history as sequential cave paintings, comic books are dependent on printing, and the starting point for them in book form is generally considered to be the tabloid-sized The Funnies begun in 1929, or the smaller-sized Funnies on Parade begun in 1933. Both of these were simply reprints of newspaper strips.

The Silver Age of Comic Books is generally considered to date from the first successful revival of the dormant superhero form — the debut of the Barry Allen Flash in Showcase #4 (September-October 1956) — and last through the early 1970s, during which time Marvel Comics revolutionized the medium with such naturalistic superheroes as the Fantastic Four and Spider-Man. There is less agreement on the beginnings of the Bronze and Modern ages. Some suggest that the Bronze Age is still taking place. Starting points that have been suggested for the Bronze Age of comics are Conan #1 (October 1970), Green Lantern/Green Arrow #76 (April 1970) or Amazing Spider-Man #96 (May 1971) (the non-Comics Code issue). The start of the Modern Age (occasionally referred to as the Copper Age) has even more potential starting points, but is generally agreed to be the publication of Alan Moore's Watchmen by DC Comics in 1986.

Comics published after World War II in 1945 are sometimes referred to as being from the Atomic Age (referring to the dropping of the atomic bomb), while titles published after November 1961 are sometimes referred to as being from the Marvel Age (referring to the advent of Marvel Comics). However, these eras are referred to far less frequently than the aforementioned eras.

Notable events in the history of the American comic book include the psychiatrist Frederic Wertham's criticisms of the medium in his book Seduction of the Innocent, which prompted the Senate Subcommittee on Juvenile Delinquency to investigate comic books. In response to this attention from both the government and the media, the US comic book industry created the Comics Code Authority in 1954 and drafted the Comics Code.

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